Page 97 - NZ Hereford Magazine 2023
P. 97

The Gullies gets its name from the bush-clad gullies on the farm.

           in turn provides revenue for the residency. The list of
           expectations for the artist is brief – a welcome event at the
           start, an open day halfway through, and a formal tree planting
           at the end to commemorate their time on farm.
            Laura says it was intriguing to watch Andrew and Richard
           bond over both similarities and stark differences in their work.
            “They both had to be open minded to see how the other
           one thought, so the discussions became, I guess, quite
           philosophical, or academic. As a result, that’s part of the
           identity of our on-farm arts residency when we’re interviewing
           for new artists.
            “I’m not an artist myself, but I’m an introvert at heart.
           Given this is down a no-exit road with 270 hectares of land to
           discover and explore, I want to give an artist that open space
           and peace and quiet, but also an open door of warmth and
           comfort, and camaraderie with us I guess.”
            It’s about linking agriculture and art, and also community
           and art. There’s a small studio alongside the cottage that
           Rangitikei artists can use for free throughout the year, once
           the cottage is back to an ordinary B&B operation.   The Gullies has 40 Hereford cows, plus replacements.
             “We’d like to build a track record of inspiring local artists,
           strengthening an understanding of what we do on farm and   The farm has 2000 stock units with a 70:30 sheep to cattle
           why we do it, and having that conveyed in the art world in   ratio. A third of the 1000 ewes and replacement hoggets are
           dealer galleries in downtown Auckland or Wellington; seeing   recorded Wiltshires and the balance is a Wiltshire-Texel-Poll
           that kind of subject matter come through again, we’ve seen   Dorset-cross composite. Richard grew up with his parents’
           it with Toss Woollaston, Colin McCahon, Peter McIntyre, who   Hereford stud and Herefords are still his first choice, with about
           loved painting the Rangitikei River’s papa cliffs. Down the   70 mixed age cows and heifers, plus younger replacements.
           track, we’d like to be able to support emerging artists through   “As a beef herd, they’re not too big for our vulnerable hill
           the residency, as well as established artists.”     country and they look after themselves, easy calving. We’re on
            Richard says it has also been good to diversify the farming   the doorstep of so many dairy farms so it was a logical choice
           business.                                           to have a small herd of recorded, low birth weight, short
            “Who knows what opportunities we might develop from it   gestation Herefords. We sell about 20 to 30 bulls privately a
           down the track.”                                    year, depending on the season.
            The farm has 110 hectares of hills and 70ha of good flats.   “A yearling bull sale is a good way to leave the winter
           There’s a swamp in the middle being restored to a functioning   behind and get your first paycheque for the season, and
           wetland; the rest is gorge and bush country, hence, The Gullies.  that coattails into rams in November, and that coattails
            “The first gully is about 80m deep, the second is 90m and   into lambs and cull ewes. Add a little bit of Air B&B and
           the third is 120m. You basically look across the tops,” Richard   the artist’s residency in summer-autumn, that’s part of that
           says, sweeping his arm across to point to the far boundary on   diversification and protection of cash flow.”
           the skyline.

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